In the world of comics and graphic novels, it’s rare for a property to focus almost entirely on romance, but Brian K. Vaughan’s newest ongoing series, Saga, does exactly that. With help from talented up-and-coming artist Fiona Staples, Vaughan’s Image-published adventure chronicles the trials, tribulations, and triumphs of literally star-crossed lovers Alana and Marko and their newborn daughter Hazel.
In the science fiction/fantasy world of Saga, two alien races have been at war for as long as anyone can remember, with each faction bent on total dominance of the other. From out of the death and destruction, Alana and Marko’s outlawed romance blossoms and as a result, they hit the road in hopes of finding security and peace for their new family.
Along the way they encounter a collection of interesting and bizarre characters and places, the variety and complexity of which all help to elevate the book from cliched sci-fi space opera to an especially impressive creative work. Saga reads like an intergalactic road trip chronicle. And like Vaughan’s previous efforts (Y: The Last Man, Ex Machina), his wry sense of humor and appreciation for each character’s personal quirks undercuts all of the intense action and strangeness to drive home the humanity of Alana, Marko and Hazel’s journey.
In complementing his script, Vaughan couldn’t ask for a more effective partner than Fiona Staples, who handles all of the art for the book. Her spare-yet-lively minimalist style manages to flesh out the sci-fi world without bombarding the reader with superfluous detail. Her sense of space makes every page feel open and light, while her character work gives real life to a unique and compelling cast. Staples’ cover work alone is worth purchasing the individual issues; you can view all of them here.
If you’re looking for an excellent graphic novel experience and are a fan of science fiction, I can’t recommend Saga enough. Check it out.
I also just wanted to mention briefly another comic project on which Vaughan has recently embarked: The Private Eye. Ironically published online, The Private Eye tells the story of a private detective who must navigate the pitfalls of a future Earth in which the structure of the internet has collapsed and all personal data uploaded to cloud storage was made irrevocably public. The revelation of every person’s secret online history has completely transformed society, forcing a mass reversion to physical media (bound books, vinyl records, and print newspapers all make cameo appearances), and more importantly forcing almost everyone to hide behind a disguise to protect his or her identity. The deceptive illusion of anonymity and trust provided by using the internet is shattered.
Since there’s only been one issue released, it’s too early to say how this project will turn out, but the premise is intriguing and unlike the escapist fantasy of Saga, is more in line with Vaughan’s past socially-relevant and critical works. Marcos Martin’s art, appropriate to the comic’s neo-noir stylings, is cool and elegant, and one of the pleasures of the book is taking in all of the resonant elements he incorporates from panel to panel. The fact that everyone is wearing a disguise all the time makes for a very playful visual and narrative theme that has a lot of potential.
If you want to get in on the ground floor of a unique and compelling story that has something to say about the world in which we currently live, I’d recommend giving The Private Eye a shot. You can pay whatever you want to access the first issue online (available in a variety of digital formats) right now.